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  <url>
    <loc>https://www.sianvandyk.com/writing</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2023-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1533097110920-PUHC9C2ZX3C75BAUQB2P/Jay+Hutchinson+From+Concrete+to+Textile+Installation+View+2006+Blue+Oyster+Gallery_2.png</image:loc>
      <image:title>Writing</image:title>
      <image:caption>From Concrete to Textile, 2006. Blue Oyster Art Project Space, Dunedin. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1533098258691-GRV1TWTFMH6UVGB8U7CR/Jay+Hutchinson2.png</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Loosely Based on a Series of Events that Never Actually Happened, 2012. A Gallery, Dunedin. Image courtesy of Justin Spiers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1533095778729-DNZ837ZCB14ABKRUEY99/cda50ba47222297535d2970531d384d0.jpg</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Jay Hutchinson, turn left at the end of the drive. Enjoy Public Art Gallery, 2016. Image courtesy of Shaun Matthews.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1533098635716-61RXB92RF2QCZN8PZOOL/bfd12c6dc4c92cec78af5b43b16bfb57.jpg</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Jay Hutchinson, turn left at the end of the drive. Enjoy Public Art Gallery, 2016. Image courtesy of Shaun Matthews.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1534313708986-6QBWWBCDP0LM3X9I6VP2/Install_DSC_0633.jpg</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Moniek Schrijer, Double Happiness installation view, 2016. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1534314386993-IA6TVQFQILPZ1BTFP4WS/edit_0672.jpg</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Moniek Schrijer, Double Happiness installation view, 2016. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1538531685194-Y0XW8CQJBXD8QJ4938J3/cropped_Edit_5+Double+Happiness+Rings_0732.jpg</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Moniek Schrijer, Double Happiness Rings, 2016. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1538537362276-FV4XIPGOGG5N695NNV7K/Mars+Hotel.JPG</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Peter Peryer, Hunua, 1975. Gelatin silver print. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1534555253826-A1CQ7YPWEVEWLD4MZ1RY/Neenish+Tarts.jpeg</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Peter Peryer, Neenish Tarts, 1983. Gelatin silver print. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1538535681920-DV3AH9J1N2OUAC3XYFBO/Buddha%27s+Hand%2C+2012.+Image+courtesy+of+the+artist.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Peter Peryer, Buddha's Hand, 2012. Digital print. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1538536699906-D1Y2JNDGUT0WSR92JP78/Frozen+Flame.jpeg</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Peter Peryer, Frozen Flame, 1982. Gelatin silver print. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1538536941081-BL03ZO11PJ2MK2E41N82/Camellia+crop.jpg</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Peter Peryer, Camelia, 2010. Digital print. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1534410536911-NFPJBF12GRRTMYJ2IWXL/everythingisbeautiful.jpeg</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Séraphine Pick, Everything is Beautiful, 2015. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1534409915528-M8YRNYOCK42MYQHNY5IF/S%C3%A9raphine+Pick%2C+Easy+Living+II%2C+2015.+Oil+on+linen.+Image+courtesy+of+the+artist.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Séraphine Pick, Easy Living II, 2015. Oil on linen. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1534409342327-QHWZK7LH32TMYHCO939Q/everythingoldisnewagain.jpg</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Séraphine Pick, Everything Old is New Again, 2011. Oil on Linen. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1534411397839-O8A8SL6RWQC0R14TL0BG/peachstack.jpeg</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Séraphine Pick, Peach Stack, 2014. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1538533346555-UWB612972O3MDY6M22IF/S%C3%A9raphine+Pick%2C+A+Million+Likes%2C+2013.+Oil+on+Linen.+Image+courtesy+of+the+artist.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Séraphine Pick, A Million Likes, 2013. Oil on Linen. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1534410230789-GHNFC3TL4U27YH9JM6PF/S%C3%A9raphine+Pick%2C+Back+Seat%2C+2013.+Oil+on+canvas.+Image+courtesy+of+the+artist.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Séraphine Pick, Back Seat, 2013. Oil on canvas. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1538538968212-R08A467PR7XMOKK4PFXY/Reweti+Arapere+Rakau+Matarau+installation+view.+Image+courtesy+of+the+artist+and+Enjoy+Gallery</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Reweti Arapere Rakau Matarau installation view. Image courtesy of the artist and Enjoy Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1538538706872-QSZAROPY3T77EEM3CZCW/Reweti+Arapere+Rakau+Matarau+installation+view.+Image+courtesy+of+the+artist+and+Enjoy+Gallery</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Reweti Arapere Rakau Matarau installation view. Image courtesy of the artist and Enjoy Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1538538422469-B7U7FXQD5OV53O8EBXP8/2013_05_RakauMatarau_06.jpg</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Reweti Arapere Rakau Matarau installation view. Image courtesy of the artist and Enjoy Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1538538767979-WKPIE2DHADA8NZJP6P62/Reweti+Arapere+Rakau+Matarau+installation+view.+Image+courtesy+of+the+artist+and+Enjoy+Gallery</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Reweti Arapere Rakau Matarau installation view. Image courtesy of the artist and Enjoy Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1538538209817-U7CXX1QEB979DZUJ6MTT/Reweti+Arapere+Rakau+Matarau+installation+view.+Image+courtesy+of+the+artist+and+Enjoy+Gallery</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Reweti Arapere Rakau Matarau installation view. Image courtesy of the artist and Enjoy Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1541548403916-UTLDBP38STBCDU6LW425/Francis+Upritchard%3A+Jealous+Saboteurs+installation+view+with+Sloth+in+a+Cabinet+%282003%29+and+George+Dunford+and+Samuel+Horwell+%282015%29+at+City+Gallery+Wellington%2C+2016.+Photo%3A+Shaun+Waugh.+Image+courtesy+of+City+Gallery+Wellington.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Francis Upritchard: Jealous Saboteurs installation view with Sloth in a Cabinet (2003) and George Dunford and Samuel Horwell (2015) at City Gallery Wellington, 2016. Photo: Shaun Waugh. Image courtesy of City Gallery Wellington.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1541548071934-M3IZRPO3QXWS0Q7THETU/Francis+Upritchard%3A+Jealous+Saboteurs+installation+view+at+City+Gallery+Wellington%2C+2016.+Photo%3A+Shaun+Waugh.+This+image+features+Tourist+and+Jockey+%282012%29+and+Hannah+%282016%29+including+stands+by+Martino+Gamper.+Image+courtesy+of+City+Gallery+Wellington</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Francis Upritchard: Jealous Saboteurs installation view at City Gallery Wellington, 2016. Photo: Shaun Waugh. This image features Tourist and Jockey (2012) and Hannah (2016) including stands by Martino Gamper. Image courtesy of City Gallery Wellington.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1541548745025-0VCFLYTJARDWGPDT96JF/Francis+Upritchard%3A+Jealous+Saboteurs+installation+view+featuring+Sloth+Creature+%282004%29%2C+Brown+Sloth+Creature+%282005%29+wearing+rings+by+Karl+Fritsch+and+Tarzan+Brown+Urn+%282016%29+thrown+and+fired+by+Nicholas+Brandon%2C+at+City+Gallery+Wellington%2C+2016.+Photo%3A+Shaun+Waugh.+Image+courtesy+of+City+Gallery+Wellington.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Francis Upritchard: Jealous Saboteurs installation view featuring Sloth Creature (2004), Brown Sloth Creature (2005) wearing rings by Karl Fritsch and Tarzan Brown Urn (2016) thrown and fired by Nicholas Brandon, at City Gallery Wellington, 2016. Photo: Shaun Waugh. Image courtesy of City Gallery Wellington.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1541548253975-RCZPWKMYHCC48GICGR6F/Francis+Upritchard%3A+Jealous+Saboteurs+installation+view+with+Traveller%E2%80%99s+Collection+%282003%29+at+City+Gallery+Wellington%2C+2016.+Photo%3A+Shaun+Waugh.+Image+courtesy+of+City+Gallery+Wellington.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Francis Upritchard: Jealous Saboteurs installation view with Traveller’s Collection (2003) at City Gallery Wellington, 2016. Photo: Shaun Waugh. Image courtesy of City Gallery Wellington.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1542342597925-TJLZA6I1AO3EJFTJ5ZBG/Warwick+Freeman%2C+Lava+Lamp+2016.+Image+courtesy+of+artist+and+Bowen+Galleries.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Warwick Freeman, Lava Lamp 2016. Image courtesy of artist and Bowen Galleries.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1542342670661-0RCYCS9RI6II5E8Q8UZP/Paperweights%2C+installation+view+Just+Monkeys.+Image+courtesy+of+the+artist+and+Bowen+Galleries</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Warwick Freeman, paperweights installation view from Just Monkeys, 2016. Image courtesy of the artist and Bowen Galleries.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1542342499163-DVW1QLZ289PQ2WNBLPY9/Warwick+Freeman%2C+Servers.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Warwick Freeman, Servers, 1991-. Image courtesy of the artist and Bowen Galleries.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1541556315740-45TFTKDFNNIWHX1NDIAP/Warwick+Freeman%2C+Just+Monkeys%2C+installation+view.+Bowen+Galleries%2C+June+2016.+Image+courtesy+of+Bowen+Galleries</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Warwick Freeman, Just Monkeys, installation view. Bowen Galleries, June 2016. Image courtesy of Bowen Galleries</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1542342795100-8BOAIG976OJGYUUFYBS2/FP662.jpg</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Warwick Freeman, Dust 2012. Image courtesy of the artist and Bowen Galleries.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1541569415251-OXC3CJXEFF9BYDOEG7HL/Amelia+Pascoe%2C+On+the+origin+of+species+%282016%29.+Image+courtesy+of+the+artist.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Amelia Pascoe, On the origin of species (2016). Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1541568601053-BYTSWNSALI57D9I4A0SS/Amelia_20180327_102647.jpeg</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Amelia Pascoe, the letting go, 2018, (installation detail) . Image courtesy of the artist and The National, Christchurch.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1541568215011-32VZMV6CFL83545MG9V4/Amelia+Pascoe%2C+Opticks+%28installation+detail%29+2017.+Image+courtesy+of+the+artist+and+The+National%2C+Christchurch.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Amelia Pascoe, Opticks, 2017 (installation detail). Image courtesy of the artist and The National, Christchurch.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1541568908887-WDX7M39Y1XXWEVT531N2/Amelia+Pascoe%2C+Tread+Softly%2C+2014+and+The+Alchemist+%2C+2018+%28installation+detail%29.+Image+courtesy+of+the+artist+and+The+National%2C+Christchurch.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Amelia Pascoe, Tread Softly, 2014 and The Alchemist , 2018 (installation detail). Image courtesy of the artist and The National, Christchurch.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1546998489818-EGZTTUEWDT6G59QP2E0K/Lux+is+the+Dealer+installation+view%2C+Kunstpavillion%2C+Munich+Jewellery+Week%2C+2015.++Photo+by+Sian+van+Dyk</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Lux is the Dealer, installation view, Kunstpavillion, Munich Jewellery Week, 2015. Photo by Sian van Dyk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1546999567626-L77N5QZNG47H1D7UT6DZ/Handshake+3%3A+Reflect%2C+installation+view%2C+2016.+Courtesy+of+The+Dowse+Art+Museum.+Photo+by+Shaun+Matthews</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Handshake 3: Reflect, installation view, 2016. Courtesy of The Dowse Art Museum. Photo by Shaun Matthews</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1546999170393-3VW59I4X51HYVHAW1B5S/Sarah+Walker+Holt%2C+Kitset%2C+2014.+Wood%2C+acrylic+paint%2C+copper%2C+brass%2C+nuts+and+bolts%2C+plywood+box%2C+digital+video+%285.39+mins%29%2C+trestle+table%2C+stool.+Courtesy+of+the+artist+and+Te+Uru+Wait%C4%81kere+Contemporary+Gallery.+Photo%3A+Sam+Hartnett.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Sarah Walker Holt, Kitset, 2014. Wood, acrylic paint, copper, brass, nuts and bolts, plywood box, digital video (5.39 mins), trestle table, stool. Courtesy of the artist and Te Uru Waitākere Contemporary Gallery. Photo: Sam Hartnett.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1546997533818-BKXW7GKY5G22F6T1EMK6/Handshake+1+presentation+at+the+FRAME+galleries%2C+Internationale+Handwerkmesse%2C+Munich%2C+2013.+Image+courtesy+of+Peter+Deckers.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Handshake 1 presentation at the FRAME galleries, Internationale Handwerkmesse, Munich, 2013. Image courtesy of Peter Deckers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1546998592155-MGQV7QUAHTS48482ADF4/Wunderruma%2C+installation+view%2C+2014.+Courtesy+of+The+Dowse+Art+Museum.+Photo+by+John+Lake.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Wunderrūma, installation view, 2014. Courtesy of The Dowse Art Museum. Photo by John Lake.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1546998907944-IENNMVKQYMYJ4IJGM1PM/Renee+Bevan%2C+%27absent+presence%27%2C+2014.+Courtesy+of+the+artist</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Renee Bevan, absent presence, 2014. Mixed media. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1546998065326-W1B9I1IORLT4QRR7KE34/The+Bold+and+the+Beautiful%2C+installation+view%2C+2015.+Courtesy+of+The+Dowse+Art+Museum.+Photo+by+John+Lake.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>The Bold and the Beautiful, installation view, 2015. Courtesy of The Dowse Art Museum. Photo by John Lake.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1547008432487-2PRZEHZ3D8PDHD8NPIQD/Matthew+McIntyre+Wilson%2C+The+Domestic+Museum+of+Anonymous+Histories%2C+2018%2C+installation+view.+Courtesy+of+the+artists+and+Tauranga+Art+Gallery.+Andrew+Warner+Photography.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Matthew McIntyre Wilson, The Domestic Museum of Anonymous Histories, 2018, installation view. Courtesy of Tauranga Art Gallery. Andrew Warner Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1547005262957-ANCTFF114NSM241GMK54/Stephen+Bradbourne%2C++A+Warm+Welcome%2C++2018%2C+installation+view.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Stephen Bradbourne, A Warm Welcome, 2018, installation detail. Courtesy Tauranga Art Gallery. Andrew Warner Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1547005451452-0U7VO07B48HFQ08PEGRH/Vita+Cochran%2C+Euphemia%E2%80%99s+Story%2C+2018%2C+installation+detail.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Vita Cochran, Euphemia’s Story, 2018, installation detail.Courtesy of Tauranga Art Gallery. Andrew Warner Photography.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1547008188203-NZSX55KPHFTL5Y1BBQ7H/John+Roy%2C+Forgotten+Things%2C+2018%2C+installation+detail.</image:loc>
      <image:title>Writing</image:title>
      <image:caption>John Roy, Forgotten Things, 2018, installation detail. Courtesy Tauranga Art Gallery. Andrew Warner Photography.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1547006542054-FQO2UWHBE3NHZ463HBO8/_MG_8078.JPG</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Maureen Lander, Shades of Pink, 2018, installation detail. Courtesy of Tauranga Art Gallery. Andrew Warner Photography.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1547004951073-5BNP1A9A48ZD5MRU6HPP/Crystal+Chain+Gang%2C+A+Bit+of+Truth%2C+installation+view%2C+2018.+Courtesy+of+the+artists+and+Tauranga+Art+Gallery.+Andrew+Warner+Photography</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Crystal Chain Gang, A Bit of Truth, 2018, installation view. Courtesy of Tauranga Art Gallery. Andrew Warner Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1547007448250-RNKSH66PFMWGI8AI3332/_MG_8221.JPG</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Gavin Hurely, Whose that Girl, 2018, installation detail. Courtesy of Tauranga Art Gallery. Andrew Warner Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1560227743244-Y4GZ0QIKP3HKD6LH2Y58/Yang+Yongliang+Journey+to+the+Dark+2017+3-Channel+4K+Video+Dimensions+Variable+Installation+view%2C+Dunedin+Public+Art+Gallery+Courtesy+of+the+artis</image:loc>
      <image:title>Writing</image:title>
      <image:caption>Yang Yongliang, Journey to the Dark, 2017, 3-Channel 4K Video Dimensions Variable. Installation view, Dunedin Public Art Gallery. Courtesy of the artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/b6f4da3f-bb70-4ac6-8c3a-a39d76238621/Barry+with+his+new+sculpture%2C+and+Stradivarius.+Photo+Haru+Sameshima.jpg</image:loc>
      <image:title>Writing - Make it stand out</image:title>
      <image:caption>Barry Brickell with his new sculpture, and Stradivarius. Courtesy of The Dowse Art Museum. Photo: Haru Sameshima</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/e9da5276-ac1d-43bf-b2f7-2123adb3b76f/Dowse_Guy_Ngan_4353-edit-v2-small.jpg</image:loc>
      <image:title>Writing - Make it stand out</image:title>
      <image:caption>Guy Ngan, Kahikatea Carving No 7, 1976. Collection of The Dowse Art Museum, The Blumhardt Collection. Photo: Jess ‘O Brien.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/249397d4-ea58-40b0-856e-b8dcce1925a4/Dowse_Collections_2925-dustremoved.jpg</image:loc>
      <image:title>Writing - Make it stand out</image:title>
      <image:caption>Guy Ngan, No 98, 1978. Bronze. Collection of The Dowse Art Museum, The Blumhardt Collection. Photo: Jess ‘O Brien.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/4b56be2c-4bd1-49be-85b3-801179b60e14/Dowse_Guy_Ngan_4288_cropped_edit_small.jpg</image:loc>
      <image:title>Writing - Make it stand out</image:title>
      <image:caption>Guy Ngan, Self Portrait, 1951. Oil on cancas on board. Private Collection. Photo: John Lake</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/d72d56ef-98f5-40a2-af5a-0a52f49f6bba/series+8+John+Lake.jpg</image:loc>
      <image:title>Writing - Make it stand out</image:title>
      <image:caption>Guy Ngan, Series 8, 1972. Screen print on Paper. Private Collection. Photo: John Lake.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/461172fe-f67c-465b-85e1-6f353682333d/3a+vm.jpg</image:loc>
      <image:title>Writing - Make it stand out</image:title>
      <image:caption>Victoria McIntosh, My Handbag, My Choice: Mother mirror, 2019. Vintage underwear, found textiles, pearls.Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/7888cd14-2abb-4473-a774-b2f2c4012c29/Beatdol+3.2+jwl-101.jpg</image:loc>
      <image:title>Writing - Make it stand out</image:title>
      <image:caption>Suji Park, Beatdol 3, 2022. Fired clay, plastic, foam, epoxy clay, plaster, paper clay, glaze, resin, LED lights, acrylic paint. Courtesy of the artist. Photo: Jungwoo Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1a86c96a-5b73-44cf-b6c6-c0211703bf5c/BODY_CCG+owl.jpg</image:loc>
      <image:title>Writing - Make it stand out</image:title>
      <image:caption>The Crystal Chain Gang, In Flux (detail), 2020. Porcelain, slip glass. Image courtesy of the artists.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/fe224865-3f2e-46dc-aa3e-8e5d90bfd2c8/Page+Galleries-February+2023-Web-18.jpg</image:loc>
      <image:title>Writing - Make it stand out</image:title>
      <image:caption>Paul Maseyk, Vice Man, 2022. Clay, slip, glaze. Image courtesy of the artist and Page Galleries. Photo: Michael Mahne Lamb.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1542150848334-DP7KM5WULSBWH5AWOQQI/John_+National+26-03-18_0019.jpeg</image:loc>
      <image:title>Writing</image:title>
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      <image:title>Writing</image:title>
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  <url>
    <loc>https://www.sianvandyk.com/interviews</loc>
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    <lastmod>2019-09-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1541570939172-A05F586OMDG7CJNA6CQ6/Elizabeth+Thomson%2C+Invitation+to+Openness%E2%80%94Substantive+and+Transitive+States+%28Works+in+Progress%29%2C+2014.+Photo%3A+Tom+Hoyle.+Image+Courtesy+of+The+Dowse+Art+Museum.</image:loc>
      <image:title>Interviews</image:title>
      <image:caption>Elizabeth Thomson, Invitation to Openness—Substantive and Transitive States, 2014 (works in progress).Photo: Tom Hoyle. Image courtesy of The Dowse Art Museum.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1541571326095-HJXWP1OCDOOP8MM08BE1/ET+Moths+Installation-4.jpg</image:loc>
      <image:title>Interviews</image:title>
      <image:caption>Elizabeth Thomson, Invitation to Openness—Substantive and Transitive States, 2014 (Installation View ), Photo: John Lake. Image Courtesy of The Dowse Art Museum.</image:caption>
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    <image:image>
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      <image:caption>Elizabeth Thomson in studio. Photo: Tom Hoyle. Image courtesy of The Dowse Art Museum.</image:caption>
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      <image:title>Interviews</image:title>
      <image:caption>Elizabeth Thomson, Invitation to Openness—Substantive and Transitive States, 2014 (Installation View ), Photo: John Lake. Image Courtesy of The Dowse Art Museum.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1543366999098-27TZPN5Q4ZGJEHGYODDL/Yuka+Oyama%2C+Motorbike+from+Helpers%3A+Changing+Homes%2C+2018.+Cardboard+boxes%2C+bamboo%2C+hot+glue%2C+twine.+Image+Courtesy+of+the+artist.+Photo%3A+Alex+Efimoff</image:loc>
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      <image:caption>Yuka Oyama, Motorbike from Helpers: Changing Homes, 2018. Cardboard boxes, bamboo, hot glue, twine. Image Courtesy of the artist. Photo: Alex Efimoff</image:caption>
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      <image:caption>Filming of Helpers: Changing Homes, 2018.Photo: Alex Efimoff</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1547010483998-7HKIKL4V3P5UVOWRDHX9/Kerry+Ann+Lee%2C+I+Sold+My+Heart+To+The+Junkman%2C+2016.++Image+courtesy+of+the+artist+and+The+Dowse+Art+Museum.+Photo+by+John+Lake.</image:loc>
      <image:title>Interviews</image:title>
      <image:caption>Kerry Ann Lee, I Sold My Heart To The Junkman, 2016. Image courtesy of the artist and The Dowse Art Museum. Photo by John Lake.</image:caption>
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    <image:image>
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      <image:caption>Tim Barlow, Nui, 2016. Still from digital video. Courtesy of the artist.</image:caption>
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      <image:caption>John Lake, What Goes On - Lower Hutt suburbs (series title), 2011-2015. Courtesy of the artist and The Dowse Art Museum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1547010611766-HYWDYYYY639VBFZSUNM9/Murray+Hewitt%2C+Barbara%2C+2008.+Still+from+digital+video.+Courtesy+of+the+artist</image:loc>
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      <image:caption>Murray Hewitt, Barbara, 2008. Still from digital video. Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1555459117315-4OHBWCCD0FXP3OWIFEDM/Peter+Bauhuis%2C+Mathematicians+Carl+Friedrich%2C+Albert%2C+Kurt%2C+Isaac%2C+Muhamad%2C+Leonhard%2C+Adam%2C+2013.+Silver%2C+gold%2C+bronze%2C+copper.+Courtesy+of+the+artist.</image:loc>
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      <image:caption>Peter Bauhuis, Mathematicians Carl Friedrich, Albert, Kurt, Isaac, Muhamad, Leonhard, Adam, 2013. Silver, gold, bronze, copper. Courtesy of the artist.</image:caption>
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    <image:image>
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      <image:title>Interviews</image:title>
      <image:caption>Peter Bauhuis, You are here!, installation view, 2018. Image courtesy of The National, Christchurch. Photo by John Collie.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1555460477687-2LX8I2K131M53H89A7LJ/Peter+Bauhuis%2C+Rings%2C+2018.+Image+courtesy+of+The+National%2C+Christchurch.+Photo+by+John+Collie.</image:loc>
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    <lastmod>2023-04-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1542178310242-5LZM1MN3UPD3JYV7G7GX/Man+Made+installation+image.jpg</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Man Made, installation view. Photo John Lake. Image courtesy of The Dowse Art Museum.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1547605711909-WP8A9EEUOK8LLY6CWSC5/Peter+Peryer%3A+A+Careful+Eye+installation+detail.+Photo+by+John+Lake.+Courtesy+of+The+Dowse+Art+Museum.</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Peter Peryer: A Careful Eye installation detail. Photo by John Lake. Courtesy of The Dowse Art Museum.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1543376752280-S0TEGWA7JZOT1TBWV3E0/Michael+Harrison%2C+Reverie%2C+2004-2011.+Watercolour+on+paper.+Collection+of+The+Dowse+Art+Museum.+Image+reproduced+courtesy+of+the+artist.</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Michael Harrison, Reverie, 2004-2011. Watercolour on paper. Collection of The Dowse Art Museum. Image reproduced courtesy of the artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1543377925320-W3PVDXZ6L5AV36E4FDIL/Elizabeth+Thomson%3A+Invitation+to+Openness%E2%80%94Substantive+and+Transitive+States%2C+installation+view%2C+2014.+Image+courtesy+of+the+artist+and+The+Dowse+Art+Museum.+Photo%3A+John+Lake</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Elizabeth Thomson: Invitation to Openness—Substantive and Transitive States, installation view, 2014. Image courtesy of the artist and The Dowse Art Museum. Photo: John Lake</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1543378769303-2VPTWK6G58RWJPNHICWJ/dowse_modernrevivals_08.jpg</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Modern Revivals: Contemporary New Zealand Furniture, installation view, 2014. Image courtesy of The Dowse Art Museum. Photo: John Lake</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1543379554839-QGY4D8RXTXJF80OSWLCE/dowse_cutpaste_06.jpg</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Cut + Paste: The Practice of Collage, installation view, 2015. Courtesy of The Dowse Art Museum. Photo: John Lake</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1547604003123-HDOY256LVPI5N0VF4M6F/Lisa+Walker%2C+Necklace%2C+2005.+Collection+of+The+Dowse+Art+Museum.+Courtesy+of+The+Dowse+Art+Museum+and+the+artist.</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Lisa Walker, Necklace, 2005. Collection of The Dowse Art Museum. Courtesy of The Dowse Art Museum and the artist.</image:caption>
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      <image:title>Exhibitions</image:title>
      <image:caption>Reweti Arapere, Rangimatua, 2015. Courtesy of the artist and The Dowse Art Museum. Photo by Mark Tantrum.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1554344314378-Z6JF1PHXVCRYQZWVDY7Z/S%C3%A9raphine+Pick%3A+White+Noise+installation+view.+Courtesy+of+The+Dowse+Art+Museum.+Photo+by++John+Lake</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Séraphine Pick: White Noise installation view. Image courtesy of The Dowse Art Museum. Photo by John Lake.</image:caption>
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      <image:title>Exhibitions</image:title>
      <image:caption>Suburban Dreams, installation view with work by Derrick Cherrie, Joe Sheehan, Susannah Bridges and Glen Hayward. Courtesy of The Dowse Art Museum. Photo by John Lake.</image:caption>
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      <image:title>Exhibitions</image:title>
      <image:caption>Movement: Andrew Barber and Jeena Shin installation view, 2016. Courtesy of The Dowse Art Museum. Photo by Mark Tantrum.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1555397991190-BLGOFZORR3VEVT22905S/James+Greig%2C+Bowl%2C+1982%2C+Collection+of+Rhondda+Greig+Family+Trust.+Photo+John+Casey..jpg</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>James Greig: Defying Gravity installation view, 2016. Courtesy of The Dowse Art Museum. Photo by John Lake .</image:caption>
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      <image:title>Exhibitions</image:title>
      <image:caption>Richard Stratton: Living History installation view, 2017. Courtesy of The Dowse Art Museum. Photo by John Lake.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1555397467462-K6C43VMJUBWSPLE95QQL/PHILIP+TRUSTTUM%2C+UNTITLED+%28TOOTHBRUSHES%29%2C+1972.+COLLECTION+OF+THE+DOWSE+ART+MUSEUM%2C+PURCHASED+1978</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Philip Trustrum, Untitled (Toothbrushes), 1972. Collection of The Dowse Art Museum.</image:caption>
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      <image:title>Exhibitions</image:title>
      <image:caption>Fiona Clark, Ken Matuku Collecting on Kūnene, Waiongona, 26/06/1980. Collection of The Dowse Art Museum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1555400046880-JTRWBQXAUXIXORY0C03F/Warren+Viscoe%2C+Sattelite+skies+don%E2%80%99t+tell+lies%2C+1995.+Collection+of+The+Dowse+Art+Museum.+Photo+John+Lake</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Warren Viscoe: Satellite Skies Don’t Tell Lies, 1995, installation view. Collection of The Dowse Art Museum. Photo by John Lake.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1555449211858-G2GJQNO71571FJ2XMNDL/MAUREEN+LANDER%2C+FLAT-PACK+WHAKAPAPA%2C+INSTALLATION+VIEW.+COLLECTION+OF+THE+DOWSE+ART+MUSEUM.+PHOTO+MARK+TANTRUM</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Maureen lander, Flat-Pack Whakapapa, 2017, installation view. Collection of the dowse art museum. Photo Mark Tantrum.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1555451917911-S2K8ORTCGCWTOMFYV03T/ay+Hutchinson%3A+Across+from+the+court%2C+on+the+way+to+the+mall%2C+2017.%2C+Installation+view.+Image+courtesy+of+The+Dowse.+Photo+by+John+Lake</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Jay Hutchinson: Across from the court, on the way to the mall, 2017,installation view. Image courtesy of The Dowse. Photo by John Lake.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1555452830829-V9POXULFWI4BFV00BAL0/Lauren+Kalman%2C+But+if+the+crime+is+beautiful...Strangers+to+the+garden%2C+2016%2C+inkjet+print.+Courtesy+of+the+artist.</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Lauren Kalman, But if the crime is beautiful...Strangers to the garden, 2016, inkjet print. Courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1555454064377-GIJ867DH0E1RBTOBTYMU/Imogen+Taylor%2C+Cave+Dweller%2C+2018.+installation+view.+Courtesy+of+the+artist+and+Michael+Lett%2C+Auckland.+Photo+by+John+Lake.</image:loc>
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      <image:caption>Imogen Taylor, Cave Dweller, 2018. installation view. Courtesy of the artist and Michael Lett, Auckland. Photo by John Lake.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1555455795046-V5PP26CZ12PJ7COAM3RS/Sharon+Fitness.jpg</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Sharon Fitness, Finding Jewelleryness, 2017, digital moving image. Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1557279344146-RTP5YE3UXE6I97MTFP7B/Ngahuia+Harrison%2C+Kahu+who+is+named+by+his+grandfather%2C+2017.+Collection+of+The+Dowse+Art+Museum.+Courtesy+of+the+artist.</image:loc>
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      <image:caption>Ngahuia Harrison, Kahu who is named by his grandfather, 2017. Collection of The Dowse Art Museum. Courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/1566088095932-3CYPYSQJI6UFF1OOT5LH/Guy+Ngan%3A+Habitation%2C+Installation+View%2C+2019.+Courtesy+of+The+Dowse+Art+Museum.+Photo%3A+John+Lake</image:loc>
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      <image:caption>Guy Ngan: Habitation, Installation View, 2019. Courtesy of The Dowse Art Museum. Photo: John Lake</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/93fc7bb7-c147-4bb6-882e-dbd5a511b4f0/Solid+Ground+Installation+View.jpg</image:loc>
      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Solid Ground, installation view, 2019. Courtesy of The Dowse Art Museum. Photo: Shaun Matthews.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/cd298e0c-97f2-4c1c-8d3a-aeca4cd3b82e/Dirty+ceramics043.jpg</image:loc>
      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Dirty Ceramics, 2019, installation view . Image Courtesy of The Dowse Art Museum. Photo: Shaun Matthews.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/088d7b58-d88a-4062-9217-97b2b6d78cd2/6834e545146e5af7ed7dffaffdd1fa90.jpg</image:loc>
      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Neke Moa, Te Maata’u a Tupaia - The Fish Hook of Tupaia, 2018. Ufi ( Mussle Shell), masi (coconut fibre), paraahi (brass), peita. Courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/566271a6-c4c5-492e-9cd1-aa0ffb8fac7d/2021_07_16_ER_00032_crop.jpg</image:loc>
      <image:title>Exhibitions - Make it stand out</image:title>
      <image:caption>Breaking the Bronze Ceiling (2021) installation view, featuring Kōtuku (1972) by Tanya Ashken and BREAK, BREAK, BREAK. BROKE (2018) by Ruth Buchanan. Courtesy of the artists and The Dowse Art Museum. Mark Tantrum Photoraphy.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/95378478-3d1d-4f74-a2d9-04f850755bc5/2022_02_04_ER_00566_.jpg</image:loc>
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      <image:caption>Ans Westra, Pathway to Naenae Primary School, Naeane, from the series Portrait of the Hutt 1988-89. Courtesy of Suite Tirohanga and The Dowse Art Museum. Mark Tantrum Photography.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/7f1da7e7-472b-40b4-80ec-194f069cb70b/2022_04_08_ER_0345.jpg</image:loc>
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      <image:caption>Janna van Hasselt, Chromaflage (Installation View), 2022 . Glazed Porcelain and Acrylic. Courtesy of the Artist and The Dowse Art Museum Photo: Mark Tantrum.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/5e56a690-6dbc-479f-86d0-61bd66005538/Warwick+Freeman%2C+Brooch%2C+c1984.+Collection+of+The+Dowse+Art+Museum%2C+gifted+by+Malcolm+Harrison+1994.+Med+Res.jpg</image:loc>
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      <image:caption>Warwick Freeman, Brooch, c1984. Collection of The Dowse Art Museum, gifted by Malcolm Harrison 1994.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/c2c3368e-138e-4600-8a72-6f151fde14e0/221003_MT_000289+%281%29.jpg</image:loc>
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      <image:caption>Mary-Louise Browne. GRAND, 2022. High intensity prismatic vinyl on aluminium panel. Courtesy of artist and The Dowse Art Museum. Photo: Mark Tantrum</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b611ff7a2772cb9a74493f5/14459ddb-0a38-44b4-a349-d10a823abb05/Suji+Park+Installtion+view.jpg</image:loc>
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      <image:caption>Suji Park, Noise Collector (Installation View), 2022. Courtesy of the artist and The Dowse. Photo: Mark Tantrum/</image:caption>
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